Showing posts with label threewalls. Show all posts
Showing posts with label threewalls. Show all posts

August 1, 2014

2014: Anders Ruhwald & Stephen Reber @ threewalls

Above: A candid look at Stephen Reber--in threewalls for the closing of "Threshold Amnesia"on July 26, 2014.
Stephen Reber
"Threshold Amnesia"
Anders Ruhwald
"Things About Things"
June 15 - July 26, 2014
Curated by Shannon Stratton
threewalls
119 N. Peoria Street
Chicago, IL

http://stevereber.com/

http://ruhwald.net/

http://three-walls.org/

Above: Stephen Reber's "Ossipoff's Grill" 2014, wood, concrete, plaster, 136 x 120 x 26 inches, detail.
Above: Stephen Reber's "Ossipoff's Grill" 2014, wood, concrete, plaster, 136 x 120 x 26 inches, overview.
Above: Anders Ruhwald's "Barrier/Frame (version 1)" 2010, foreground, and "Untitled #8" 2006, background.
Above: Anders Ruhwald's "Beginning and ending (version 3)" 2010, foreground, Stephen Reber's "Timeshare" 2014, background.
Above: Anders Ruhwald's "Edge" 2009, glazed eartenware, 20 x 20 x 1.5 and 22 x 6.5 x 1.5 inches.
Above: Stephen Reber's "Timeshare" 2014,concrete, wood, plaster, paint, 120 x 66 x 68 inches, detail.
Above: Stephen Reber's "Concrete and Blue" 2014, concrete, plaster, paint, 56 x 36 x 17 inches.
Above: Stephen Reber's "Dredge" 2014, wood, concrete, paint, 124 x 36 x 41 inches.
Above:
Images (1-9) July 26, 2014;
Copyright Paul E. Germanos.

January 25, 2014

2008: Jillian McDonald @ threewalls

Above: A guest views "The Sparkling," 2007, by Jillian McDonald, from the "Horror Stories" opening at threewalls, on April 4, 2008.
Jillian McDonald
"Horror Stories"
April 4 - May 10, 2008
threewalls
119 N. Peoria Street
Chicago, IL

http://www.jillianmcdonald.net/

http://www.three-walls.org/

Jillian McDonald enjoyed a residency at threewalls in 2008, during which time "Horror Stories," a four-part, interactive video installation composed of: "The Sparkling" (shown above and below), "Vamp It Up," "TV = Evil," and "Everyone Will Suffer," was open to the public.


Above:
Images (1-2) April 4, 2008, at the public reception;
Copyright Paul E. Germanos.