Showing posts with label Michael Kaysen. Show all posts
Showing posts with label Michael Kaysen. Show all posts

January 24, 2015

2015: Michael Kaysen @ 65GRAND

Michael Kaysen @ 65GRAND
Above: Michael Kaysen standing before his ceramic installation, "Look Long, Look in Vain," in 65GRAND gallery, at 1369 W. Grand Avenue, Chicago, IL, during the show's opening reception on January 23, 2015.
Michael Kaysen
"Look Long, Look in Vain"
January 23 - February 21, 2015
65GRAND
1369 W. Grand Avenue
Chicago, IL

http://65grand.com/

http://gallerysidecar.com/

"65GRAND is pleased to present 'Look Long, Look in Vain,' Michael Kaysen's first exhibition with the gallery. On view is a selection of vessels from Kaysen's ongoing investigation of a specific form. This bottle form is something the artist goes back to over and over again. It is a starting point, a jumping off point. Most simply it is the idea of a bulbous body with an almost closed off opening. The form comes from Gertrud & Otto Natzler, Austrian potters who emigrated to California and who helped raise ceramics to the status of fine art.

'When I was younger I saw this bottle form the Natzler's played with. It intrigued me. It's a difficult form. It's visually simple but it's deceptive. It's difficult to execute and it allows you this endless variation,' notes Kaysen. The artist's approach to glazing is in direct contrast to the regularity of the form. 'I visually try to cut across the form. There isn't a lot of asymmetry in patterning, generally. Most of the surface treatment is usually to accentuate the form,' Kaysen goes against it. 'I think of the glazing as bisecting. I also try to do this up and over the piece. This is where the idea of 'cutting across' the piece comes in.' He doesn't use patterns, but the way Kaysen glazes his pieces, you are led around them visually. It puts an extra level of importance on the fact that what we are looking at is not flat. 'You can't look at one side and get it. You have to deal with it as a thing in the round.' The artist explains that his interest in the bottle form extends, 'to the fact that it contains space. It carves out a form in space. It's not something you put things in. What does it do? It holds space.'

Michael Kaysen lives and works in Hammond, IN and teaches ceramics at Calumet College of Saint Joseph. He received his BFA from the School of the Art Institute of Chicago."


Quotation above from: http://65grand.com/kaysen_release.php

Michael Kaysen ceramic @ 65GRAND
Michael Kaysen ceramic @ 65GRAND
Michael Kaysen ceramic @ 65GRAND
Michael Kaysen ceramic @ 65GRAND
Michael Kaysen ceramic @ 65GRAND
Erik Wenzel and Vincent Uribe @ 65GRAND
Above: Erik Wenzel, left, and Vincent Uribe, right, candid during the opening reception for Michael Kaysen's "Look Long, Look in Vain," in 65GRAND gallery, at 1369 W. Grand Avenue, Chicago, IL, on January 23, 2015.
Above:
Images (1-7) January 23, 2015;
Copyright Paul E. Germanos.

See related post which includes documentation of the artist at work, firing and glazing, in his Hammond, IN, studio: http://chicagoartworld.blogspot.com/2014/04/2014-clare-britt-ccsj-sidecar-gallery.html

April 7, 2014

2014: Clare Britt & CCSJ @ SideCar Gallery

Above: Michael Kaysen, proprietor of SideCar Gallery, raku firing with his CCSJ ceramics class, April 5, 2014.
Clare Britt
"From Utopia"
March 15 - April 19, 2014
SideCar Gallery
411 Huehn Street
Hammond, IN

http://clarebritt.com/

http://gallerysidecar.com/

Michael Kaysen
Media and Fine Arts 335 Ceramics Class: Raku Firing
April 5, 2014
Calumet College of St. Joseph
2400 New York Avenue
Whiting, IN

http://www.ccsj.edu/

"While Britt’s background is in photography, the work in [her] exhibition ranges from collage-based text pieces to a site-specific installation.  Populating the main gallery space are framed 'Ransom Notes,' collages made of text cut out of fashion and lifestyle magazines targeting a female audience. Ransom notes come as a last resort, drastic means to extreme ends. To Britt the ransom note is about demanding and wanting and these notes represent Britt’s wants and demands of herself and of others. They quickly expand into mantras, things we tell ourselves, things we think but would never say. Ransom notes are anonymous and from that anonymity their author gains power.  If the ransom notes are a verbalized communication of the artist’s interior life, then the installation in the second floor project space is a pre-verbal or nonverbal expression of that life. While the Ransom Notes have a tone of aggression, desperation and frustration, the installation is a calming ensemble of color and abstraction derived from Britt’s practice of meditation."

Quotation above from: http://gallerysidecar.com/artwork/3284127_Upcoming_Exhibition.html

Above: Clare Britt at SideCar Gallery, April 5, 2014.
Above: Michael Kaysen, proprietor of SideCar Gallery, raku firing with his CCSJ ceramics class, April 5, 2014.
Above: Clare Britt, installation overview, at SideCar Gallery, April 5, 2014.
Above: Michael Kaysen, outside SideCar Gallery, preparing for a raku firing with his CCSJ ceramics class, April 5, 2014.
Above: SideCar Gallery, 411 Huehn Street, Hammond, IN, at sunset on April 5, 2014.
Above: Michael Kaysen, proprietor of SideCar Gallery, raku firing with his CCSJ ceramics class, April 5, 2014.
Above: Clare Britt at SideCar Gallery, April 5, 2014.
Above: Michael Kaysen, proprietor of SideCar Gallery, loads a kiln for his CCSJ ceramics class, April 5, 2014.
Above: Clare Britt's installation in the attic at SideCar Gallery, April 5, 2014.
Above: Michael Kaysen with his CCSJ ceramics students: Amber, Jessica, Rachel, and Kacey, April 5, 2014.
Above: A participant in the CCSJ raku firing at SideCar Gallery, April 5, 2014.
Above: Michael Kaysen, proprietor of SideCar Gallery, raku firing with his CCSJ ceramics class, April 5, 2014.
Above:
Images (1-13) April 5, 2014;
Copyright Paul E. Germanos.

See related post: http://chicagoartworld.blogspot.com/2015/01/2015-michael-kaysen-65grand.html

January 26, 2014

2014: Tom Burtonwood & Holly Holmes @ Firecat Projects


Tom Burtonwood & Holly Holmes
“Dialogues on the New Plastic”
January 24 - February 22, 2014
Firecat Projects
2124 N. Damen Avenue
Chicago, IL

http://tomburtonwood.com/

http://www.firecatprojects.org/ 

"Desktop 3D printing represents a remarkable new way of making and distributing objects. With the click of a mouse it is possible to create complex forms, email them around the globe and see them reproduced many times in many variants and materials. Artists Tom Burtonwood and Holly Holmes have been exploring and experimenting with this 'new' technique of making for just under two years. This is their first solo exhibition of works produced almost entirely in this medium."

"For the duration of the exhibition the artists will be operating 'Copy Shop' a novel take on the photocopying businesses that helped to pioneer the desktop publishing revolution of the late 90’s. Members of the public are invited to bring small objects to Firecat and have them 3D scanned, 3D printed and added to the exhibition. Participants in 'Copy Shop' will receive a limited edition 3D printed sculpture in recognition of their help in this project."

Quotation above from http://tomburtonwood.com/2013/12/dialogues-on-the-new-plastic/



Above: Tom Burtonwood in the “Copy Shop," powered by MakerBot, at Firecat, on January 24, 2014.
Above: Mickey Pomfrey (CourtneyBlades) & Holly Holmes during the opening reception at Firecat, January 24, 2014.
Above: Tom Burtonwood with Holly Holmes during the opening reception at Firecat, January 24, 2014.
Above: Michael Kaysen (SideCar) & Andrew Rigsby during the opening reception, at Firecat, on January 24, 2014.


Above:
Images (1-9) January 24, 2014, at the public reception;
Copyright Paul E. Germanos.