Showing posts with label The Hills Esthetic Center. Show all posts
Showing posts with label The Hills Esthetic Center. Show all posts

May 28, 2014

2014: Miss Kilman and She Were Terrible Together @ The Hills Esthetic Center

Above: Curator Matt Morris makes eye contact at The Hills Esthetic Center, 128 N. Campbell Avenue, Chicago, IL, May 10, 2014.
Shinsuke Aso, Luis Miguel Bendaña, Poy Born, Alex da Corte, Dana DeGiulio, Hunter Foster, Jesse Harrod, Richard Hawkins, Matthew Landry, Tony Luensman, Miller/Shellabarger, Ulrike Müller, William J. O’Brien, BD Pack, Daisy Palma, Eric Ruschman, Ryan Shubert, Amy Sillman, and Joan Snyder
"Miss Kilman and She Were Terrible Together"
Curated by Matt Morris
May 10 – June 6, 2014
The Hills Esthetic Center
128 N. Campbell Avenue
Chicago, IL

http://thehillsestheticcenter.com/

"The Hills Esthetic Center is both a conventional and organic exhibition space located within a complex of artist’s studios and audio recording facilities on Chicago’s west side. Focusing on emerging artists and local arts initiatives, the space aims to promote a breadth of cultural production and invention in the service of independent artistic expression. We value a relaxed artist-controlled environment with the potential for the interaction of critical and social dialogues. The Hills is directed by Ron Ewert, Michael Kloss, and Leo Kaplan."

Quotation above from: http://thehillsestheticcenter.com/info.html

Claims:

1. The epistemologies typically attributed to an analysis of the material conditions of an
artwork’s production are almost always available through a phenomenological encounter
with the art object itself.

2. Black is back.

3. There is a space beyond explicit depictions of same-sex coital encounters where
eroticism and desire take other forms. Overturn anything and you’re bound to find sex.

4. For a period of time in the late 1950s, Agnes Martin and Ellsworth Kelly’s studios
adjoined one another, and on most mornings they breakfasted together. This matters.

5. Coalitions across lines of difference are preferable to the eradication of nuanced
subject positions.

6. Codes, closets, and separatism continue to be useful both as historical points of
reference, but also as formal moves of constraint to play against the limits of painting.

This exhibition marks the completion of the first iteration of ‘Painting Queer,’ an
undergraduate multi-level studio course Matt Morris taught at The School of the Art Institute of Chicago.

A small publication will be released in conjunction with the exhibition featuring
contributions by David Getsy, Richard Hawkins, Matt Morris, Ulrike Müller, Lisi Raskin,
and others.


Statement above from: http://thehillsestheticcenter.com/show/?id=53

Above: The Hills' "relaxed, artist-controlled environment" facilitating "social dialogue" via dice games at its tiki bar.
Above: An overview of "Miss Kilman and She Were Terrible Together," at The Hills Esthetic Center, on May 10, 2014.
Above: Jason Lazarus, right, facing camera, speaks with Leo Kaplan, left, at The Hills Esthetic Center, on May 10, 2014.
Above: Curator Matt Morris, left, at the opening of "Miss Kilman and She Were Terrible Together," on May 10, 2014.
Above: The Hills Esthetic Center, 128 N. Campbell Avenue, Chicago, IL, main gallery on May 10, 2014.
Above: The tiki bar at The Hills Esthetic Center, 128 N. Campbell Avenue, Chicago, IL, on May 10, 2014.
Above: The Hills' "relaxed, artist-controlled environment" facilitating "social dialogue" via dice games at its tiki bar.
Above: Malibu, served with Hamm's beer, at The Hills Esthetic Center, on May 10, 2014.
Above: The Hills' Ron Ewert, right, leads a community discussion at The Hills Esthetic Center, on May 10, 2014.
Above: A guest at the opening of "Miss Kilman and She Were Terrible Together," at The Hills Esthetic Center, on May 10, 2014.
Above:
Images (1-11) May 10, 2014;
Copyright Paul E. Germanos.

February 19, 2014

2014: Hope Esser & Daviel Shy @ The Hills

Above: Daviel Shy, left, and Hope Esser, right, following their performance at The Hills on February 14, 2014.
Hope Esser & Daviel Shy
"Take Aim"
February 14 - March 21, 2014
The Hills Esthetic Center
128 N. Campbell Avenue
Chicago, IL

Esser & Shy's first performance and opening reception, available on February 14, 2014, is documented here.

***A second performance, "Beware, Beloved: Ides of March Release Party," featuring a reading of poetry from "Letters Unsent" by Daviel Shy, and a mixtape entitled "That Were never Ours" by Hope Esser, is scheduled for 7:00 PM, March 15, 2014.***

http://hopeesser.com/

http://davielshy.com/

http://thehillsestheticcenter.com/

"'Take Aim' is an exhibition by Chicago artists Hope Esser and Daviel Shy at The Hills Esthetic Center. Esser and Shy, who were lovers from 2005-2011, have had parallel practices, running often extremely close but never intersecting. In 'Take Aim,' they negotiate the back and forth of collaboration, competition and cross-examination in a field of play. Drawing from the imagery of St. Valentine, the exhibition contains letter correspondence, interpretations of Man Ray’s Object to be Destroyed, and an altered game of badminton. The artists combine their tools of writing, film, sculpture, and performance into a Valentine’s Day jubilee of brokenheartedness. Ouch."

Quotation above from: http://www.thevisualist.org/2014/02/hope-esser-daviel-shy-take-aim/

Above: Artifacts in the gallery following the performance of "Take Aim" on February 14, 2014.
Above: The Hills' Michael Kloss, foreground, and Bad at Sports' Dana Bassett, background.
Above: Chelsea Culp, left, Leo Kaplan, center, and Ben Foch, right.
Above: Mia, left, with Chloe, right.
Above: Hope Esser on the badminton court during the performance of  "Volley" in "Take Aim" on February 14, 2014.
Above: Gonzalo, left, Sarah, center, and Alex Chitty at right, behind The Hills' tiki bar. 
Above: The Hills Esthetic Center live/work space, foreground, tiki bar, background.
Above: The Hills' Leo Kaplan.
Above: The Hills' Michael Kloss, left, and Bad at Sports' Dana Bassett, right.
Above: The Hills Esthetic Center gallery following the performance of "Volley" in "Take Aim" on February 14, 2014.
Above:
Images (1-16) February 14, 2014;
Copyright Paul E. Germanos.